Sunday, September 18, 2016
Ever since I can remember, I always wanted to be a National Film Registry reviewer...
And now I finally get all those jokes in Animaniacs and a dozen other 90's cartoons that decided to spoof this very much R-rated film that hopefully none of the children watching had seen. Parental bonus... what really separates memorable cartoons, at least if it's done well. This is a movie I hadn't seen, even though I've seen a couple of other Scorsese movies (at least enough to understand what Honest Film Trailers Epic Voice Guy was talking about when he listed off the “Scorsesisms” in The Wolf of Wall Street,). But hey, when you're really good at directing pictures about slimeball criminals in New York, work with it. It was even fun watching Ray Liotta in the role that Leonardo DiCaprio would have had if he hadn't been 15 when shooting started. So every kid who grew up in the 90's is familiar with some level of the plot through cultural osmosis, though I don't know too many people who have actually seen the movie. It's the life of Henry Hill, a guy who always wanted to be a gangster, becomes one, enjoys it, but then there's the inevitable downfall and betrayal, with one of his closest associates (Joe Pesci as Joe Pesci) being a half-cocked maniac who is ready to kill at the slightest provocation, his own ever-growing problem with drugs, and the apparent allergy Scorsese leading men have to monogamy leading to a volatile marriage with a lot of screaming, throwing things, and death threats. And lots and lots of cussing.
Which isn't to say it isn't a masterful crime movie. It is. Some of the shots alone are some of the best I've seen. It's just pretty easy to see where either Scorsese really likes these stories or figures “Hey, what works, works”. What surprised me is that the narrator and apparent lead, Henry Hill, is generally a non-entity in his own story. Almost everything is happening to or around him, but he isn't really a person who is making things happen. He isn't a guy making much in the way of decisions or calling shots – he's really reactionary. The only thing he does decide to do is to keep selling drugs and get a few other people in on it. Which is an interesting thread to follow. The book the movie was based on was based on a bunch of interviews with this guy who did sell out his mobster friends to get into Witness Protection (and was later thrown out for doing drugs). Was he downplaying his own role in events to make it seem like he was more of a bystander than he was to make himself seem more sympathetic to audiences? Or did Scorsese make him more of a bystander to make him more of a schnook? I can't say authoritatively, since I've never read the book, but now I'd like to, so I could answer this question.
Overall, I'd say give it a watch if you enjoy crime and gangster movies, which I do. I have a preference for the classic ones, where there isn't a ton of cussing and domestic violence (which there definitely is in Goodfellas), but the cinematography alone is dazzling.